The Cultural Politics of National Tragedies and Personal Sacrifice

While the rest of the world is still battling the latest wave of COVID-19 and implementing lockdown measures to combat the spread of the virus, China has been celebrating its ‘victory' over the pandemic since the end of February 2020, with Xinhua (2020) announcing a book praising the country's success in disease control to be published in six languages. COVID-themed news reports, award ceremonies, documentaries, and TV series singing the praises of ‘everyday heroes' in controlling the virus have become a daily occurrence in the Chinese media. [...]the glorification of ‘sacrificial' and ‘grateful' citizens in these stories tantalises human desires to encourage citizens' willing compliance with the Party-State's transformation of a national tragedy into its narrative of victory. Expressions of the Party's leadership role are loud and clear in each episode, be it through the authoritative voices of CCTV News broadcasting the national deployment of resources in supporting Wuhan, or the parade of trucks and buses shipping supplies into the city.

Gendering national sacrifices: the making of new heroines in China's counter-COVID-19 TV series. (Special Issue: Centering women on post-2010 Chinese TV.)

From February 2020 to the end of 2021, China's state-controlled media focused on creating its "victorious" narrative of combating the COVID-19 pandemic. This article focuses on two high-profile and COVID-19-themed TV series that aim to rewrite the collective memories of the Wuhan lockdown as part of state's affective governance strategies. Using a feminist textual analysis, the article examines the gendered nature of state narratives by dissecting the representation of national heroines of the pandemic. It demonstrates the centrality of heterosexual families and gender performances in romanticizing individual sacrifices and mass suffering. Unlike the socialist-era role models, the personal weakness and emotional flaws of China's new heroines are tactically displayed to enhance emotional authenticity and resonate with contemporary audiences. Yet these state narratives reflect only stereotypical depictions of femininity within a hierarchical gender order in post-reform China, where moralized womanhood is imbued with a sacrificial attitude that serves to discipline China's female citizens.